Sunday 18 October 2015

LFF 2013 - Captain Phillips

Nowadays, the most striking of news stories that break are likely to receive a film treatment, eventually - 9/11 has seen its film portrayals and war epics have always been a big part of the industry. The latest real-life story to be portrayed on the big screen is of a captain who saw his life on the line after Somali pirates took over his ship. Paul Greengrass’ Captain Phillips is a simply ground-breaking and affecting picture to say the very least.

Captain Rich Phillips (Tom Hanks) is once again setting out for another voyage in charge of a cargo ship, heading out around the coast of Somalia. As he discusses with his wife (Catherine Keener), each voyage never gets easier, and this is one particular voyage that he will never forget.

As Phillips and his crew set out to deliver their cargo of food and supplies, the captain remains meticulous in his planning and organisation. Wary of previous pirate threats as they journey towards the Somali waters, he urges his crew to remain focused as they put into motion a drill to ensure everything is under control should an incident occur.

During the drill, a group of pirates look to infiltrate the ship and use hostages to gain much required supplies and money for their own means. Initially failing, the pirates, led by the skinny yet resolute Muse (Barkhad Abdi), board the ship and take Captain Phillips as hostage. With the crew hiding in the bowels of the ship, it is up to Phillips to risk his life and manage the situation before help hopefully arrives.

Paul Greengrass is no stranger to delivering truly authentic drama to the big screen and Captain Phillips is no different. Tackling a stunning real-life story, Greengrass orchestrates his film with  a pinpoint breathlessness from the off, first gently easing us in with short character studies of both our main protagonists, both innocent and guilty. Once he beds us in with our specific individuals involved, he then cranks it up a notch as we are fully embedded into a wonderfully tense spectacle, proving his might behind the camera yet again.

Gasps aplenty and nail-biting tension remain the order of the day once the ship is taken over, with Hanks running the show with an exceptional performance of raw emotion, grit and determination. The actor is still one of the best in the business and this shows in his physical and emotion role, in which his every scene is filled with acting prowess and defined quality.

The film is also bolstered in its villains of the piece in the way of Barkhad Abdi and Faysal Ahmed. Abdi’s Muse is certainly one to look out for, his character’s stature rather petite but his evil streak hugely affecting. From the very moment he declares himself captain, Abdi hammers home his portrayal with a menacing and unhinged individual who will stop at nothing to prove his worth.
Backed by a powerful score and some immensely striking cinematography and imagery, Greengrass excels in grabbing the audience by the scruff of the neck and dropping them into the full chaos and fear of the scenario. Possessing superb actors in his arsenal, the director pairs this with a fluid style of filmmaking and plenty of pulse-pounding instances, solidifying Captain Phillips’ status as an Oscar contender.

Imagine all the best elements from last year’s stellar entries Zero Dark Thirty and Argo, throw in an unbelievable Oscar-worthy performance from Tom Hanks, and finish off with a profoundly moving ending, and Captain Phillips strikes a chord, making it one of the best films of the year. Gripping, ground-breaking and heart-wrenching stuff.

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